Choir performs at Sing for Hope’s balcony performance space
by Carrie Wesolowski
[All photos by Frank Asencio]
Port Authority Bus Terminal during rush hour: scurrying commuters, patrolling National Guard soldiers, and on this Wednesday evening—the harmonious Peace of Heart Choir. Every Wednesday during rush hour on the Sing for Hope Performing Arts Stage just above the concourse level Au Bon Pain and wedged between steps and sets of escalators, the terminal is transformed by the sounds of music.
Located on a platform that was once the terminal’s operations control center, the glass-enclosed stage seems tucked away at the very center of Port Authority, almost an entity unto itself that majestically rises up from the street level with its official Sing for Hope logos on the front of the glass, Sing for Hope banners as the backdrop and of course, front and center, the artist-designed Sing for Hope rainbow piano jazzed up in marvelously whimsical swirls of color that would make Pucci proud. Our Peace of Heart Choir banner was featured too--at the far-right corner.
We gathered in a semicircle around the piano with Renè at the helm. There was an “only in Port Authority irony” when as we sang “Save the Country”, the flashing LED sign on the opposite mezzanine read “God Bless America” followed by a flashing message heralding “Quick and Easy Hair Removal”. But that’s just the flavor of the ever-moving New York City—what makes it so unique, rich, and full-of-life.
There was some blood—Renè cut his thumb playing—with Nancy quickly coming to the rescue with a Band-Aid, maybe a little sweat under the stage lights which produced some interesting optical illusions at times—a small group of baritones standing together looked as if they were part of Blue Man Group. There were no tears though, unless someone listening was choked up by one of our songs which has happened before.
There was a lot of joy as all of us sang, sharing our music with the audience. We were clapping enthusiastically and dancing during sing-alongs such as "Peace Like a River" and "This Little Light of Mine”. Some of us waved to commuters below as a greeting and an invitation to stay and watch the music which some of them did. Perhaps for one song, perhaps two, before moving along again. Lis had her own fan club--friends from Texas who had come to see her sing her solo in the Billy Joel classic “River of Dreams”.
Gail and Renè both mused at the end “what did the audience get from it.” In a place like Port Authority, with people passing through you will likely never see again, you may never know. About 30 minutes later walking through the terminal, a Port Authority cleaning lady approached me to let me know that she had seen all of us sing earlier. She smiled enthusiastically, exclaiming how beautiful we sounded, how much she loved our music, how she had loved seeing us sing here two years ago, and how glad she was to see us again. She had remembered us, remembered our music and made sure she saw us when we came back. After a mutual expression of gratitude and a hug, we were back on our way. I walked back into the anonymity of Port Authority with a smile on my face.
Ah, the power of music… Helping to make your time spent at Port Authority sound a whole lot better….
Carrie Wesolowski, Alto 1
For more information on the non-profit Sing for Hope; visit their website at www.singforhope.org